![]() I don’t think I’ve ever really said that. In a discussion with Collider Ladies Night, the actress stated: But she does a damn poor job of hiding her disinterest in this one.Maggie Q has already expressed interest in returning for a possible The Protégé 2. So it’s not that she can’t carry a movie. Q was pretty good in “Death of Me,” and “Fantasy Island” wasn’t really her fault. She’s almost expressionless, and however “true to life” that might be for a cold-blooded killer, that choice makes for a dull, uninvolving performance. Robert Patrick shows up as the leader of a ‘Nam vets biker gang, in Vietnam, and is so colorful you kind of wish the movie had been more about him.īut our star, framed in many an alluring closeup, gives us nothing here. Keaton (and his stunt double) delivers the goods. Not without Ryan Reynolds and Selma Hayek around. Jackson’s played this sort of guy to death, and can’t find any more fun in such characters. The script is straight-up formula, which suggests few surprises, but also that the component parts should have clicked better than they did. But his violent, humorless and predictable vengeance reinvention of Jackie Chan (“The Foreigner”) let us know he’s lost his edge and whatever he brings to the fights and shootouts here, he can’t make it all coalesce into a coherent film. That’s not what we want from an action heroine.ĭirector Martin Campbell has Bond credits and a resume that stretches back to the ’70s. Q is runway ready and model thin, and here she lets us see hesitation in every little flash of action. The fight choreography has to hide a lot of stunt doubling accordingly. The fact that he’s 27 years her senior may have something to do with it. Keaton brings a little sparkle to his scenes, but he and Maggie Q have little to no chemistry. He’s menacing - he may be involved with those who are after her - and he’s very flirtatious. Michael Keaton plays Rembrandt, a mysterious “security” expert who knows way more about Anna and Moody than she should be comfortable with. Cities and old “friends” must be visited and outfits must be changed, and often.Īnna’s search for yet another person who “can’t be found” takes her back to her native Vietnam, despite her serious misgivings. Killers are on her tail and must be dispatched. And she’s holding one of their guns.ĭecades later, she and her mentor are a cool, efficient machine, people who “find people who can’t be found,” and often as not, stab, shoot, strangle or kill them with a bomb.īut Moody (Jackson) is getting on up there, even if he claims “70 is the new 30.” And he’s got that tubercular cough that tells us, and anybody who’s ever been to the opera, he’s not long for this world.Īnd the merest hint of searching for a long-lost child of an infamous oligarch, the subject of an earlier contract, puts Moody in the bullseye and Anna on the lam and on the hunt. Little Anna ( Eva Nugyen Thorsen) is the last person standing. Jackson) who found her after walking in late on a scene of mass slaughter. It’s her latest lead, part of a run that included “Fantasy Island,” “Death of Me” and “The Argument,” and she almost lets us see herself asking “Is this a step backwards?” in her tentative, blasé performance.Īnna was a Vietnamese orphan raised by the hired killer ( Samuel L. Maggie Q returns to “Nikita” territory with “The Protege,” playing a sexy and exotic assassin not unlike her best known TV role.
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